We had a visit from numerous ICT specialists from Fife
council who demonstrated to us, how the used ICT in the primary schools to
develop learning. We got to use software like Comic Life, Pivot and Skoog and it was very insightful to see
how I could potential use these as a teaching tool to enhance the learning of
pupils. Birney (2012) discussed the aim of teaching ICT in schools as,
“Not using ICT as just a skill but making it relevant to Curriculum For
Excellence and the experiences and outcomes”. (no page given).
Buckingham (2007) discusses how much computer technology
has advanced in recent years, “The possibility of ‘digitizing’ a whole range of
different forms of communication (not just writing, but visual and moving
images music, sound and speech) transforms the computer into much more than a calculator
or a typewriter with memory. It becomes a ,eams pf delivering and producing not
just written texts, but texts in a variety of media, and, as a result, the
digital screen has become the focus of a whole range of entertainment,
information and communication options.” (p.79). With this in mind, the area
which I have chosen to look at and reflect on is using music with ICT. We were
introduced to the software which was called ‘Sequel’ and it allowed you create
your own music. There were an extensive library of instruments, genres and the
user has the opportunity to change keys and balance the volume.
Below is a picture of the Sequel editing screen.
Below is a picture of the Sequel editing screen.
I think the software would be a useful tool to use in the
primary classroom because it would allow children’s creativity to flourish as
there are so many different tracks and instruments to choose from. This could
come as a hurdle in the classroom as pupils may be overwhelmed by the choice
but to overcome this as a teacher you could narrow the options down by stating
exactly which style of music you wanted them to create. I believe it would also
encourage children, who are not competent at music as a subject, to take risks
because the instruments you chose automatically blend in together. This relates
to Curriculum For Excellence as it covers the ‘Personalisation and Choice’
principle as The Scottish Government (2004) state, “The curriculum should respond
to individual needs and support particular aptitudes and talents. It should
give each young person increasing opportunities for exercising responsible
personal choice as they move through their school career.” (no page given).
This software reflects this as, alongside supportive teaching, there are so
many opportunities for individuals to develop their skills through using more
complex functions; adding instruments at different times, introducing different
beats and the chance to record a play a live instrument. Another
useful tool was the ability to match a picture to the instrument and this would
really appeal to visual learners as it allows them to easily identify what they
are choosing and would therefore relate the sound to picture. A negative point
about the software is that it looked complicated to use and I feel that if I
was to use it as a teaching tool there would have to be a lot of teaching on
how to use the software first before children would create their own pieces of
music.
Overall, I would feel confident about using the above
software in a classroom as it provides a motivating and engaging way to create
music. I would probably group the children accordingly so that I would have a
range of learners in one group and they would develop each other’s skills and
this is known as social constructivism.
From another interesting analyse of using Sequel software
see:
And for wider overview of the Fife Council visit see:
References
Birney, J. (2012). Information and Communication Technology
Elective. School of
Education, Social Work and Community Education, University of Dundee
Buckingham, D. (2007).
Beyond Technology. Cambridge:
Polity Press
The Scottish Government (2004). Curriculum for Excellence: Principles for Curriculum Design. Available
at: http://www.scotland.gov.uk/Publications/2004/11/20178/45862
[Last accessed 05/02/2010]
No comments:
Post a Comment